I had a great GenCon. So did most of my friends, both old and new. I’ll post a couple highlights, now and maybe later.
Will Jobst and I left the exhibitors’ hall night and went upstairs to watch the 13th Age and GUMSHOE games in the Pelgrane-focused game room. I admit that I was 13th Age-focused: where GUMSHOE is concerned, I’m not really a pro.
Early on, we were startled by what looked like impromptu chair dancing at a 13th Age table. Everyone’s hands went up in the air, the bass started thumping, hands spinning as disco balls. Turned out that the first time the sorcerer had used their dancing lights spell, the table discoed-out; and now it was a thing for the rest of the session! Dancing lights! I thought about filming it but decided to let it fly solo in memory.
The musical ambush left us happy and gave us a story to glide on the rest of the evening as we joined Steve and Paula Dempsey to ramble through the entire convention center.
The night before the show, Eric Lang won the Diana Jones Award! I’d talked with him earlier in the day and he said he had zero chance of winning—he expected it to go to Pandemic Legacy by Rob Daviau and Matt Leacock. We agreed that if Eric won, I should yell “Daviau was robbed!” Which I did, utterly happy and knowing no one could hear me, since you can’t hear much of anything at the Diana Jones Award ceremony and certainly not when everyone is roaring for Eric!
Then I got to see Greg Stafford, last year’s winner for The Guide to Glorantha, hand the award over to Eric, and the whole thing made me so happy I *did* get out my phone to take a picture. I knew it would be crappy but I didn’t care, it’s the fact, not the photo. That’s Jeff Richard of Chaosium in the middle, and Luke Peterschmidt all shiny in the foreground.
I knew that Upper Deck would be releasing the Legendary game I designed, Big Trouble in Little China. It’s a playful take on the Legendary deckbuilding game system designed by Devin Low for the Marvel Legendary games. Big Trouble in Little China was a game I had a huge amount of fun designing but I wasn’t sure how much of a marketing push the game would be getting, given that the film has been out for awhile. I’d heard that there was something going on with the GenCon lanyards, but I didn’t know that everyone wearing a GenCon lanyard would have Big Trouble in Little China art around their necks. And I had no idea that Upper Deck was gonna set up a Big Trouble exhibit with the Pork Chop Express big rig in the dealer’s hall! Right alongside a bit of a Chinatown shrine and a signboard for Egg Foo Yong Tours. That’s some action.